Winnekenni Jazz and Blues Festival
I have assembled a diverse cast of very special guest to join the Joey Vellucci Band for this first Jazz and Blues festival at the Winnekenni. I have worked with all these artist and they are my favorite folks to work with. Each of them is very talented, soulful and perform from there hearts. I must also mention that joining me will be my regular band consisting of Skip Fisher on drums and Jim Lamond on bass. These two guys are just the best musicians around and they make me sound better then I actually am!!! There great guys too.
Our first guest of the day will be :

Lisa Marie:
In just 3 short years Lisa Marie has made her presence known with her vocal range and powerful vocal delivery. Lisa can can belt out a searing soul tune and then surprise you with sweet accapella. A true entertainer and performer, her presence onstage draws the audience right in.
Evan Goodrow:
Evan Goodrow is a fantastic guitar player, singer and writer who I first met a couple years ago and we became instant friends and guitar pals. As a guitarist Evan is just unbelievable, he can play the most beautiful classic jazz guitar or rip you in half with soulful blues-rock-fusion soloing over a stone cold funk or hip-hop groove. Evan can play any style of music and he plays it all at a much higher level then what normal people call great guitar playing. He is also one of my favorite singers and writers. He really has a unique style that is very hip and very creative. There is no doubt in my mind that Evan will break nationally very soon and go onto huge success.


Scott the Cat Anderson:
I recently started working with Scott the Cat Anderson after years of hearing stories about this legendary guitarist/singer. I first heard about Scott when he was the lead singer for Roy Buchanon (known as the greatest unknown guitarist in the world, and it was true) and then about 6 months ago I was reading the book called American Axe the story of Roy Buchanon and I knew that I had to seek out this Scott the Cat Anderson and work with him. Well I was able to reach him via Al Coccaroccio president of Black Rose Records and the rest is history. Scotts career rolls back about 30 years ago to the rough hard drinking bars on Nantasket Beach. Bars and Clubs long forgotten except for dusty memories in people lucky enough to have caught shows there.

Legendary record producer Barry Marshall wrote
““This kid has a big future!”
I first met Scott in 1972 (30 years ago!) at Isabelle’s Harbor BookStore in Scituate, Massachusetts. Scituate is my hometown; next door is Cohasset, where Scott terrorized the locals while growing up. Isabelle’s store was both an education in itself and a fluke of both marketing and music history, which could never happen today. She was a bohemian and intellectual (Sarah Lawrence grad) who opened up three bookstore/record stores in 1939, and never “returned” anything that she didn’t sell!
Anyone who grew up in the South Shore towns of Marshfield, Scituate or Cohasset from the thirties until the seventies probably got part of their early music and or book learning from Isabelle. She was also “different” enough to be prematurely a beatnik, hippie and punk rocker before anyone heard of any of those cultural stereotypes, and to scare some of the more provincial parents. What Isabelle also had in her store by the early seventies was a treasure trove of mint condition records from every era. I worked there while going to school and starting out as a pro musician, and while there met all sorts of interesting characters from the crazy world of record collecting. Besides Scott, I met several others who I later worked with in various capacities in the music business like Andy Paley, Lenny Kaye, and Peter Wolf. Obsessed music nuts! Original pressings, EPs and picture sleeves! Scott was looking for Elvis picture sleeves in particular and rockabilly and country and rhythm and blues records in general. And he was obsessed. When I saw him perform shortly thereafter, I could see why. He seemed literally possessed by the true wild spirit of rockabilly. I think the dynamic spirit of his performances is captured here in these recordings, which range in time from 1974 until 1991. While the production quality varies here, the level of musicianship and Scott’s energy never flags. Scott always had great guitar players (besides wielding a mean Telecaster himself) and here you can hear some tasty and at times unrestrained licks from the likes of Boston legends Bobby Keyes, Billy Coover, and Eric Rosenfeld. He later went on to tour for several years with the truly transcendent Roy Buchanan, but that’s another story for another record: “Attack of the Telecasters” which is being released in 2003.
Some of my fondest early memories of gigging were playing drums behind Scott during the seventies. We must have played every dive in the Boston area, particularly a slew of the “buckets of blood” on the old Nantasket Beach/ Paragon Park strip. Long gone joints like the Hillbilly Ranch (Sleepy LaBeef’s regular stop), Frontenac (Scott bellowing from the stage: "I’ll have three White Russians-Make that four White Russians”!), and Jimmy’s Irish Lounge (can’t you just picture it?) resonate in the dimly grasped memories of many, but also provided the musical chops, fortitude and entertainment skills to Scott, myself and anyone demented enough to share the stage with us. We both went on to other great gigs. Scott, notably with Myles Connor and Roy Buchanan, and myself playing with LaVern Baker and producing greats like Ben E. King and Peter Wolf.
We had a reunion of sorts when I hired Scott to be part of Doc Pomus’ 65th Birthday party in New York. What a night! We put together three acts: one to play Doc’s Elvis and Rockabilly tunes (guess who sang), one to play Doc’s blues and R n' B Classics (singing great Philip Hamilton), and one to back up jazz great Jimmy Scott. Scott the Cat acquitted himself well and got a heartfelt Thanks from Doc, and a crowd (including Phil Spector, Lyle Lovett, Lou Reed, Paul Shaffer and Ivana Trump (!) – Doc had a motley and large group of friends that danced up a storm.
Scott’s now entering a new phase of his career, gigging again, but also releasing records (on CD finally). Upcoming releases include the aforementioned Scott/ Roy Buchanan live sides and new recordings of Scott singing Doc Pomus songs (some of which have never been recorded before- Doc gave them to us after his party). As Doc told me that night: “This kid has a big future!”
~Barry Marshall

Official Bio For Joey Vellucci
Guitarist/Lead Vocalist Joey Vellucci started his performance career in 1982 about 1 month after starting out on a Fender electric guitar given to him by his cousin, local Rock and Roll legend Sal Baglio of the Stompers fame. Joey jumped right in and started writing songs and put a band together and started performing live in March of 1982 at the infamous Channel Club in South Boston, MA. After 21 years of performing live onstage and in the studio he can look back on a very respectable career that has taken him and his music from clubs to concerts, from radio to film scoring, from HBO to Showtime and from Soap Opera’s to Movie of the Week and ultimately to a major film by Stephen King. Joey Vellucci has played venues from Boston to San Antonio from the smallest little bar to the top Las Vegas Casino The Mandolay Bay, big arenas, theaters, floating barges, ships, ferries, steamboats, on the beach, strip clubs, strip malls, hotels, motels, race tracks, casinos, up-scale, low-scale, no-scale you name the place most likely Vellucci has performed there at one time or another over the course of the last 21 years of performing.
What does he sound like?

The Joey Vellucci guitar style is a blend of all styles of guitar at the same time. He is jazzy, bluesy, country, rock, swinging, funky, soulful, twanging, smooth and ripping all at the same time. He is as fast as one can get on the guitar or as sparse and airy as one can get. He blends all these styles into his own style of playing. His tone is sometimes warm, round and dark or clean and sparkling, tough and twangy however it’
s always the appropriate tone for the music he is playing and his picking is very precise and you can hear every note as he never mask his sound and that is the Joey Vellucci guitar sound.

How does he sing?
Joey Vellucci is a vocal stylist who sings like he plays guitar. He mixes Marvin Gaye with George Benson, Bob Marley with Otis Redding .Sometimes gritty sometimes smooth like a bird. The result is always soulful, in tune and pleasing to the ear.
Writing music for Television, Film and Movies:
Joey Vellucci has written music that has been heard by millions of people worldwide on television and radio in France, Italy, Finland, Ireland, England, Canada, Norway, Japan, Spain, Sweden, Australia, Mexico, Argentina, Israel, Portugal, Germany, Korea, Jamaica, Cuba and every state in the United States of America. This music has appeared on Television, on Showtime, HBO, CBS, NBC, PBS, Fox Network, Cannes Film Festival, New York Film Festival, Sundance Film Festival, as well as some small independent film projects.

Joey Vellucci is an ASCAP registered composer/writer and has maintained a publishers contract with Heavy Hitters Productions in New York City.

“My biggest thrill was seeing BB King on TV leaning against a bar in this nightclub scene on a soap opera. There he is, being the blues king that he is, Lucille by his side, big diamond rings, gold watch, beautiful suit, and my music, vocals and guitar playing behind him as a soundtrack!!!! That was incredible!!! I was so excited and I walked around with this huge grin for about 3 months!”


J.Vellucci TV shows, movies, soaps and radio Joey Vellucci music has been on.

TV
Passions
The Young and The Restless
One Life to Live
Baywatch
Soul Food
Level Nine
Promised Land
Walker Texas Ranger
One Life to Live
Common Ground
Touched By An Angel

Movies for Television
Ethel, Joan and Jackie, the Women of Camelot
Stephen King's Rose Red

Independent Film Scores
Death Voice - shown at Cannes, Sundance and runner up for the Delta Film Festival
3 BBQ's - A retro comedy still in production

Local Radio
WBOS
WERS
WGBH
WMFO
WCGY
WSKS

House of Blues Radio Hour Who has he performed with over the years?
Scott the Cat Anderson, Duke Robillard, Jay Giels, Matt Guitar Murphy, Johnny Copland, Eddie Kirkland, Hubert Sumlin, Ronnie Earl, Gerry Beaudoin, PineTop Perkins, Jimmy Rogers, Toni Lynn Washington, Jerry Portnoy, Barrence Whitfield, Trevor Owen, Jackie Chambers, Travis Colby, Adrian Ingram, Jimmy Bruno, Trevor Owen, Cheryl Aruda, Evan Goodrow, Kid Bangham, Adrian Ingram, Tony Gallo Jazz, Lisa Marie, Sal Baglio, Luther Guitar Jr. Johnson, Thaddeus Hogarth, Dave Buda, Dave Mattacks, Foghat, Tony Z, Jr. Watson, Jimmy Rogers, Canned Heat, Marshall Tucker Band, The Stompers, Rex Trailor, Madhouse, Joe Cook, The Northeast Jazz and Blues All-Stars, and Boston Baked Blues.